Information om | Engelska ordet MISE-EN-SCÈNE

Exempel på hur man kan använda MISE-EN-SCÈNE i en mening

• Though enjoyable by virtue of its distorted mise-en-scène, affection for NYC characters and its misplaced chatter, this is not art but run-of-the-mill film noir.
• Rather his mise-en-scène, which repeatedly frames the figures in obliquely angled medium shots against the depth of field created by the expensive furnishings of the Tremayne mansion, and Mitchum’s subdued portrayal engender an atmosphere of fatality.
• In studies of the film, critics and historians have focused on Bava's use of mise-en-scène to replicate the imagery and stylization of comic books, and the film's reflection of the socio-political upheavals of the 1960s in its characterization and narratology.
• The futurist Kirin Plaza building (architect Shin Takamatsu, built 1987), the Ebisubashi and the famous neon wall overlooking the Dōtonbori canal creates the Blade Runner-esque mise-en-scène.
• The film underlines the co-implicating relationship between the oppressors and the oppressed by visualizing their simultaneous distance and proximity with respect to the usage of mise-en-scène, and literal physical distance.
• "From today's perspective, it is a static film d'art, a historical spectacle with tableaux vivants, mise-en-scène, and baroque, emotionally emphatic intertitles," the film scholar Nevena Daković writes.
• Praised for their strong visual style, well articulated mise-en-scène and innovative storytelling, his films focus on the anxieties that lurk behind the well cultivated burgeois facade of the characters, using their emotional and psychological fractures to bring to light the complexes that haunt the society in general, while subtly analysing social and political forces behind it.
• " Roy Armes wrote: "What is remarkable about Mortelle randonnée is the extent to which the lushly assured mise-en-scène and solid technical mastery are applied to a subject which is never remotely convincing or engaging.
• In the 1980s, Cowin continued to blur fiction and non-fiction in more fully constructed, cinematic scenes—an approach now sometimes called mise-en-scène photography—taking on a directorial mode that included storyboarding, scripting, staging actors, set design and framing.
• 1968 : Le Minotaure by Marcel Aymé, mise-en-scène Jean Le Poulain, directed by Pierre Sabbagh, Théâtre Marigny.
• 1990: Le Plaisir de rompre and Le Pain de ménage by Jules Renard are interpreted by Anny Duperey, Bernard Giraudeau and Bernard Murat in a mise-en-scène by the latter.
• Blogger Gilo stated that "Balak himself reinvented a whole toolbox" to express aspects of comics such as framing and mise-en-scène, saying that he fights against the artificiality of traditional comics.
• However, he praises the cinematography of the seance and abduction scenes, also calling the episode "gloriously filmed" and "one of the most stylishly presented in terms of mise-en-scène".
• ’s LIBRAIRE GALERIE, Hong Kong, Gazes (2011) at Gallery EXIT, Hong Kong, and Still Lifes and Waves (2011) at the Hong Kong Film Archive, Ma presented cinematic drawings created by magnifying and printing out film stills of objects, plants and fragments of the mise-en-scène in classic films such as Yasujiro Ozu's Tokyo Story and A Story of Floating Weeds, Yoshimitsu Morita's And Then, Fei Mu's Spring in a small town.

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