Definition, Betydelse & Anagram | Engelska ordet WORK'S

Definition av WORK'S

1. böjningsform av work

Exempel på hur man kan använda WORK'S i en mening

• The 6th-century recension of Liber Pontificalis ('Book of the Popes') known as the "Felician Catalog" includes additional commentary to the work's earlier entry on Eleutherius.
• The work's copyright was renewed in 1959, and it will enter the American public domain on January 1, 2025.
• Despite his work's variety of themes and content, certain patterns recur: much of his work describes intimate and personal life struggling to sustain itself against the wider background of war, terrorism, political divisions, and profound economic and social transition.
• Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s).
• The "philosophic" declamations perhaps constituted the work's chief interest for the general public, and its significance as a contribution to democratic propaganda.
• A distinct meaning of alter ego is found in the literary analysis used when referring to fictional literature and other narrative forms, describing a key character in a story who is perceived to be intentionally representative of the work's author (or creator), by oblique similarities, in terms of psychology, behavior speech, or thoughts, often used to convey the author's thoughts.
• Mahler had been convinced from the start of the work's significance; in renouncing the pessimism that had marked much of his music, he offered the Eighth as an expression of confidence in the eternal human spirit.
• The premiere was performed in Munich on 25 November 1901 by the composer and the Kaim Orchestra, but it was met with negative audience and critical reception over the work's confusing intentions and perceived inferiority to the more well-received Second Symphony.
• Mahler composed the symphony at an exceptionally happy time in his life, as he had married Alma Schindler in 1902, and during the course of the work's composition his second daughter was born.
• In her 1788 work, Original Stories from Real Life; with Conversations Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness, author Mary Wollstonecraft employs the term in her title, representing the work's focus on a middle-class ethos which she viewed as superior to the court culture represented by fairy tales and the values of chance and luck found in chapbook stories for the poor.
• The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, Iberia.
• Entries with a yellow background and an asterisk (*) next to the work's name have won the award; those with a white background are the nominees on the short-list.
• Bach's The Well-Tempered Clavier, an earlier set of 48 preludes and fugues, are widely held to be the direct inspiration for Shostakovich's cycle, largely based on the work's composition history.
• The Roman traces the powerful medieval dynasty of Lusignan from its founding in the city by the legendary Melusine, an enigmatic shape-shifting faery figure, through its glorious rise in Europe and in the Crusader kingdoms of the Eastern Mediterranean (see Guy of Lusignan, King of Cyprus), weaving together history and fiction, with elements of myth, folklore, and popular traditions fused with epic, Crusader narrative, knightly romance, and Christian doctrine, all to glorify and uphold the proprietary claims to Lusignan of the work's illustrious patron.
• On 13 November 1936 the BBC broadcast the world's first televised opera: scenes from Coates's Pickwick, directed by Rosing, were shown in advance of the work's premiere.
• Negative reaction to the work's final movement at the first performance, and his publisher's urging, led Beethoven to write a substitute for the final movement, a contredanse much shorter and lighter than the enormous Große Fuge it replaced.
• The theatrical impresario Henry Wilson Savage staged the first English language production of the opera for the work's Connecticut premiere at the Poll's Theater in Bridgeport on October 27, 1911, with Luisa Villani as Minnie.
• ” Wolin cites the work's extended emphasis on “emotionally laden concepts” like guilt, conscience, angst and death.
• " Less impressed, a Publishers Weekly reviewer commented, "If Giuliano's own double-talk isn't enough to diminish this work's credibility, his endless, voyeuristic descriptions of Lennon's sexual encounters are.
• In 2016, Time Out contributors ranked Husbands and Wives fifth among Allen's efforts, with Keith Uhlich praising the work's "trenchant examination of long-term relationships on the downswing".

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