Definition, Betydelse & Synonymer | Engelska ordet CADENCE

Definition av CADENCE

1. kadens

Exempel på hur man kan använda CADENCE i en mening

• "Borrowing" of this type appears in music from the Renaissance music era and the Baroque music era (1600–1750)—such as with the use of the Picardy third, in which a piece in a minor key has a final or intermediate cadence in the tonic major chord.
• In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence.
• There was also a slurred "lazy" or "smooth" way of rapping in order to clarify words and stay in rhythmic cadence.
• It also allowed for the development of variable gearing, allowing cyclists to adjust their gearing on the fly, to terrain or road inclination and their strength, obtaining an efficient and workable cadence at various speeds.
• The song often has a cadence like; pee pee willow wee or see tidle swee, with notes similar to the calls.
• The word "cadence" sometimes slightly shifts its meaning depending on the context; for example, it can be used to refer to the last few notes of a particular phrase, or to just the final chord of that phrase, or to types of chord progressions that are suitable for phrase endings in general.
• Although professional players often intersperse other chords, in more traditional playing variations of chords from the Andalusian cadence are utilised and modern players, influenced by jazz may use a greater variety of chord patterns and variations.
• Comic timing or comedic timing emerges from a performer's joke delivery: they interact with an audience—intonation, rhythm, cadence, tempo, and pausing—to guide the audience's laughter, which then guides the comedic narrative.
• The 1942 motion picture Obliging Young Lady opens with a comedic sequence in which Edmond O'Brien keeps repeating "Heinie Manush, Heinie Manush" in cadence with the sound of the train on which he is riding.
• While they do not pursue the simplifying approach of Fayrfax (an almost exact contemporary of Cornysh junior, and fellow at Court and Chapel), and remain in a more old-fashioned florid melodic style, they adopt proto-madrigalian manners (for example in the setting of words like "clamorosa", "crucifige" and "debellandum" in the Stabat mater) and have a particularly developed sense of tonal movement (for example, in the Stabat mater, the closing "Amen" features deliberate use of F sharps as leading notes to give a sense of tonal cadence into G, or employing E flats at "Sathanam" to give a tonal cadence onto B flat, emphasizing the "strong" nature of the text at that moment, employing the bass-movement V-I), as well as adopting a more modern sense of the expressive appoggiatura in melodic shapes and in bringing out the stresses of the Latin by such devices (for example, again the Stabat mater, the use of appoggiaturas in the Bassus part to express "ContriSTANtem et doLENtem" in the first few measures, and again at "Contemplari doLENtem cum filio?"), and the use of purely rhetorical gestures (such as the exclamation "O" by full choir in the middle of the soloists' section starting the Stabat mater).
• Billboard said that the "stop/start cadence" of the guitar, "rippling piano and Lee's defiant wail pack a startling wallop".
• A long V of D (bars 32–37) is unexpectedly resolved to A major, which is simply a deceptive V–VI cadence (VI of D major would be B, here enharmonically respelled as A).
• He also appeared in the 2019 remake of Dumbo, portraying a ringmaster who delivers the line "Let's get ready for Dumbo!" in his trademark cadence.
• " However, "the music of the 'common practice' offers many exemplars of such altogether unexpected digressions just as a work is drawing to its close, followed by a return, for the final cadence, to a consequently more emphatic confirmation of the structural relations implied in the body of the work.
• Track sprinters make a compromise by using particular gear ratios that allow them to reach race speeds at a relatively high cadence (pedalling), around 130-135 revolutions per minute (r/min).
• Compared to other forms of foot racing, stride length is reduced; to achieve competitive speeds racewalkers must attain cadence rates comparable to those achieved by running.

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