Synonymer & Information om | Engelska ordet CROTCHET

Exempel på hur man kan använda CROTCHET i en mening

• 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth note (quaver), 16 to the sixteenth note (semiquaver).
• The word "crotchet" comes from Old French , meaning 'little hook', diminutive of , 'hook', because of the hook used on the note in black notation of the medieval period.
• In music, a half note (American) or minim (British) is a note played for half the duration of a whole note (or semibreve) and twice the duration of a quarter note (or crotchet).
• For example, a double whole note (or breve) lasts twice the duration of the whole note, a half note lasts one half the duration, and a quarter note (or crotchet) lasts one quarter the duration.
• Some chants have more complicated rhythms than the example above, generally in the form of a dotted minim and a crotchet (in any bar except the last of a quarter) or of two crotchets taking the place of a minim.
• The vocal line evokes the galloping effect by repeated figures of crotchet and quaver, or sometimes three quavers, overlying the binary tremolo of the semiquavers in the piano.
• The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
• ;MenuetThe second movement, in 3/4 time in F major, is marked Tempo di minuetto Allegro moderato, with a metronome mark of crotchet = 108.
• In the music which accompanies the poem, Humpty is a crotchet (half note) and quaver (eighth note), while sat on is a pair of quavers (eighth notes), taking up the same time as the syllable Hump.
• It is based on a polyrhythm, with pairs of eighth-note (quaver) triplets in the right hand against quarter-note (crotchet) triplets in the left.
• Although perhaps hidden in the score, this is more apparent to the listener, both in their shape and in the resemblance of the quaver second subject to crotchet figures in the countersubject to the first subject.
• In the second episode, the rhythm dissolves into a crotchet followed by a minim, and flowing semiquavers appear throughout.
• The melody, which could predate Luther, contains figura corta motifs, in this case two quavers followed by a crotchet, an anapaest; for dactyls, with a long beat followed by two beats, these were motifs denoting "joy", in the classification of chorales introduced by Albert Schweitzer.

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