Anagram & Information om | Engelska ordet DEEJAYS

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• Eek-A-Mouse is well known for pioneering his own style of scatting, differing from the-then toasting deejays in the 80s.
• Born to an Afro-Jamaican mother and Indo-Jamaican father, Super Cat was raised in Kingston's tough Seivright Gardens neighbourhood, then known as Cockburn Pen, home to ground-breaking deejays like Prince Jazzbo and U-Roy.
• Audio production of the seven track album was handled by local Detroit deejays and producers such as DJ Head, who was D12's deejay at the time, Mad Chemist, Hush of Da Ruckus, and the now acclaimed producers J Dilla of Slum Village and Mr.
• Radio Monte Carlo was founded in 1966 by Noel Cutisson and its enlisted deejays included: Antonio Devia, Awanagana, Ettore Andenna, Gigi Salvadori, Herbert Pagani, Liliana Dell'Acqua, Luisella Berrino, Manuela De Vito, Marco Odino, Mario Raffaele Conti, Max Pagani, Riccardo Heinen, Roberto Arnaldi, Valeria Porrà, and others.
• Regular deejays included Ranking Trevor, U Brown, Jah Mikey and Nicodemus, alongside the regular selector Danny Dreadlocks.
• THR featured some of the best deejays in the local broadcasting industry such as flyguy, Richard La Faber, Gina, Andy Hakim, Daphne Nasir, Suzana, Deanna Nassem Rahman, Nasa, Rezz, Albert Ng, Sheela Haran, Kassandra Kassim, Glen Salay, and Simon D' Cruz.
• With the exception of Danny Garcia, all of the other deejays were let go, as the station thought they were more "young, CHR type jocks".
• Smiley Culture popularised the "fast chat" style of deejaying that had originated with Jamaican deejays such as Ranking Joe, and was developed further by British toasters, particularly those on the Saxon sound system such as Peter King.
• He has become known for humorous songs and songs aimed at other deejays, such as "Talk", aimed at Elephant Man, Beenie Man, and Vybz Kartel, and "Ca'an Get Brown", aimed at Vybz Kartel.
• Also included in this category of Channel deejays are DJ Dana Z (circa 1983-1985), Carmelita (WBCN, WAAF) and Janet Planet (circa 1983–1987), who also worked the Nu Musik Nights, Shred (WERS, WBCN) and Hugh Munoz (1980-1983), creator of Metrowave on WERS.
• Scott Free (Drew Domingo), Harry Maze (Harry Corro), Ted Bear (Renan Baluyut), and Riz Taylor (Ariz Peter Fuentez), were the first deejays to go on board.
• In 1999, D-Ex recruited deejays B-Money (who has since produced music for Jay-Z and 50 Cent), Furius "Iceman" Stylz, DJ K-Nine, Charlie Chan (former DJ for Da Brat; as of 2002, deejaying full-time for Darryl "DMC" McDaniels), and DJ Scratch protégé Mocha Sunflower.
• In the 1970s and early 1980s KLIK was known as the Live 95 as its broadcasts were all programmed by live deejays, talk hosts and newscasters rather than by a satellite or automation system.
• Many deejays were delayed in their air shifts because a fat cottonmouth snake would be sunning themselves on the walkway.
• KQV's Top 40 format is blown up, taking a bizarre, free-form approach dubbed "The Death of Radio!" Phonetically re-branded "Kay-Cue-Vee," regular newscasts are canceled, jingles are replaced with crudely produced "mingles," airplay of any Top 10 songs was avoided, daily names like "Barrel Bottom Radio," "Volkswagen Radio," "Channel 14," "AM Radio" and "Normalcy Radio" are used, and all of the deejays only said "KQV plays WAY too Much Music!" for a seven-day period, among other stunts.
• Being one of three albino deejays in the 1980s (Yellowman, Purpleman, and King Mellow Yellow), he was originally given the name Peter Yellow before using the name Yellowman, and released an album under this name.
• The contrast between Chaplin's "culture" lyrics and the other major deejays of the day led to the 1984 "clash" album with Yellowman Slackness Vs Pure Culture.
• The 18-song soundtrack, which was released on all streaming platforms on 12 January 2019, involves an estimated 54 contributors, including rappers from across the country, deejays, music producers and beatboxers, such as DIVINE, Naezy, Sez on the Beat, Rishi Rich, Dub Sharma, Jasleen Royal, Ace, Ishq Bector, MC Altaf, MC TodFod, 100RBH, Maharya, Noxious D, Viveick Rajagopalan, and others.
• In The Stampede, competitors must contend with a number of distractions that could include mobile deejays with music blaring over loudspeakers, sounds of jackhammers and helicopters, and even Bob Parsons heckling players with a bullhorn.
• Leeper stated that deejays sounded polished and spoke with good diction, irrespective of their race, both characteristics not associated with the stereotypical Black vernacularism of the time.

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