Anagram & Information om | Engelska ordet EPODE

In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to Samson Agonistes, with the strophe chanted by a Greek chorus as it moved from right to left across the scene.
According to one meaning of the word, an epode is the third part of an ancient Greek choral ode that follows the strophe and the antistrophe and completes the movement.
When the sections of the chorus have ended their responses, they unite and close in the epode, thus exemplifying the triple form, in which the ancient sacred hymns of Greece were coined, from the days of Stesichorus onwards.
The term is derived from the name of a Greek archaic poet, Pindar, but is based on a misconception since Pindar's odes were in fact very formal, obeying a triadic structure, in which the form of the first stanza (strophe) was repeated in the second stanza (antistrophe), followed by a third stanza (epode) that introduced variations but whose form was repeated by other epodes in subsequent triads.
Mostly these consist of either a dactylic hexameter or an iambic trimeter, followed by an "epode", which is a shorter line either iambic or dactylic in character, or a mixture of these.
The Pindaric ode has a metrical structure rivaled in its complexity only by the chorus of Greek tragedy, and is usually composed in a triadic form comprising strophe, antistrophe, and epode.

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