Definition, Betydelse & Anagram | Engelska ordet ETCHING

Definition av ETCHING

1. etsning
2. böjningsform av etch
3. presensparticip av etch

Exempel på hur man kan använda ETCHING i en mening

• It is a multiple-step photolithographic and physico-chemical process (with steps such as thermal oxidation, thin-film deposition, ion-implantation, etching) during which electronic circuits are gradually created on a wafer, typically made of pure single-crystal semiconducting material.
• However, the fact that it can be made to act on extremely fine layers of material is utilised in science and industry—there, it is used to perform precise etching, carry out analytical techniques, and deposit thin film layers in the manufacture of optical coatings, semiconductor devices and nanotechnology products.
• It undergoes many microfabrication processes, such as doping, ion implantation, etching, thin-film deposition of various materials, and photolithographic patterning.
• In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, or the graphic arts (such as lithography or etching).
• He was also a prolific printmaker, mostly in etching, and one of the main artists who used the cliché verre technique.
• Scarification involves scratching, etching, burning/branding, or superficially cutting designs, pictures, or words into the skin as a permanent body modification or body art.
• After less than a year's attendance at the Slade School, Sickert left to become a pupil of and etching assistant to James Abbott McNeill Whistler.
• He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments.
• In semiconductor manufacturing, isotropic etching is a method commonly used to remove material from a substrate via a chemical process using an etchant substance.
• Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines.
• For example, Rembrandt, who had his own printing-press and printed at least the earliest copies of his etchings himself, was a great taker of proofs, but these are normally described as different states - his record was nine for one etching, although this involved returning to an older print he had sold many copies of, and largely reworking it.
• The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam printing, potato printing, and some types of collagraph.
• Edwards based his hand-coloured etching on a preserved specimen that had been brought to London from the Hudson Bay area of Canada by James Isham.
• He worked in many techniques: etching, drypoint, mezzotint, sand-ground mezzotint, burin engraving, lithography and woodcut.
• He began an apprenticeship in 1749, at a bookshop in Berlin, but stayed for only a year, having decided to devote himself to landscape painting and etching.
• Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching.
• He gradually and reluctantly realized that his colour-blindness ruled out painting, and by 1848 settled on etching, then out of favour as a medium for fine art, though about to undergo a considerable revival.
• This episode worsened the rift between Whistler and the British art world; Arrangement was the last painting he submitted for the academy's approval (although his etching of Old Putney Bridge was exhibited there in 1879).
• Although some form of volatile copper compound has been known to exist since 1947, with more discovered as the century progressed, none were in industrial use, so copper could not be patterned by the previous techniques of photoresist masking and plasma etching that had been used with great success with aluminium.
• Edwards based his hand-coloured etching on a "neat drawing in colours" supplied by the American naturalist William Bartram from Philadelphia in Pennsylvania.

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