Anagram & Information om | Engelska ordet FIGURATION

Exempel på hur man kan använda FIGURATION i en mening

• In music, perpetuum mobile (English pronunciation /pərˌpɛtjʊəm ˈmoʊbɪleɪ/, /ˈmoʊbɪli/; literally, "perpetual motion"), moto perpetuo (Italian), mouvement perpétuel (French), movimento perpétuo (Portuguese) movimiento perpetuo (Spanish), is a term used to describe a rapidly executed and persistently maintained figuration, usually of notes of equal length.
• After a brief fortissimo introduction consisting of angry spurts of figuration in the clarinet punctuated by piano chords, the piano quiets to a murmur.
• Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both.
• Though recognizable as letters, the stenciled shapes also stack and layer on the canvas, furthering Ligon's career long engagement with issues of legibility, and tension between figuration and abstraction.
• Osambela's wife had to get rid of the property to pay off some debts and so, in 1854 the property passed into the hands of José de la Asunción Oquendo, who was a man of great figuration, which is why people began to call the house as the Casa de Oquendo, the name by which it is also known today.
• Later (especially in the works of Cabanilles), tientos would frequently alternate between the older style of strict counterpoint, and virtuosic, affective figuration typical of the toccata and some fantasias.
• Goya's figuration is short and angular, while Velázquez's is elongated and curved, and his figure placed on richly coloured satin, which starkly contrasts to the bare white cloths Goya's maja rests on.
• It resembles a nocturne, but is filled with intricate figuration, inner voices and, near the end, glittering bird-like trills and quicksilver arpeggios.
• Amy Sillman (born 1955) is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation.
• 1), vn, 2va, vle (Perrault writes: The lack of figuration for the lower part means that it was not a b.
• the phenomenally talented Rand was unsystematically working his way through every image-making language known to modern man, from material-based abstraction to narrative figuration to cartoon symbolism, sometimes all at the same time, and being given the chance to exhibit the results of his research at regular intervals.
• Among the collective exhibitions in which Somville's work has appeared are the Mostra Internationale di Bianco e Nero at Lugano (1960), the Biennale Internationale d’art at Venice (1962), the Biennale Internationale de la tapisserie at Lausanne (1962 and 1965), figuration et défiguration, at the Hedendaagse Kunst Museum in Ghent (1964), the Salon de mai, in Paris (1977), L’art belge depuis (1945), at the Musée des Beaux-Arts André Malraux, Le Havre (1982), then Salon International d’art, at Basle (1985), and other exhibitions including Amsterdam, Utrecht, Antwerp, Ostend, Ljubljana, Frechen, Rijeka, Heidelberg, Venise and Paris.
• Mike Johnston noted, in reference to bokeh, that Kirkpatrick "made deft use of it as design, as figuration, and as a way to use color abstractly".
• In the 1960s and 1970s this meant the sternly reductivist forms of Minimalism or Conceptualism; when figuration entered the New York mainstream, through Pop, it was via the mediating filter of contemporary mass media.
• Some exist under an unsystematic figuration design, but 17 of the 29 conservancies (at that time) actually lie adjacent to the government's protected area networks (PANs).
• However, it is by no means clear that it cannot represent simply a mordent or acciaccatura, dependent on the surrounding figuration.
• It is the two main expression of figuration in a country where popular abstract symbolic, Berberian or Arabic, are integrated mainly through architecture, furnitures, weaving, pottery, leather and metal workmanship.
• The first verse of this Good Friday hymn, is a subdued prelude in four parts based on the cantus firmus, which appears explicitly in the soprano line over the flowing quaver accompaniment; in the second verse the cantus firmus moves to the alto line and the quaver figures become more lively; in the final verse, the pedal finally appears to take up the cantus firmus, beneath a four-part fugal counter-subject in triplets, first in a forthright angular figuration, then in hammered repeated notes leading to an anguished chromatic passage, indicative of the crucifixion, and finally in peaceful flowing quavers.
• For experience, it is necessary to have two components: (a) sense-organs must be influenced by the unrepresented (subsensible or supersensible base), and (b) the act of figuration, in which the percipient mind combines and construes sensations into a relatively ordered phenomenal world of beings and things.
• Sansom (now in his eighties) has recently returned to earlier themes in his paintings by inserting digital photographs of himself in various disguises using latex horror masks and realistic female masks, as well as incorporating latex prosthetics of female body parts; his aim being to create an uneasy tension between the literalness of the photographs and the painterliness within the paintings, which can veer wildly between abstraction and figuration.

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