Anagram & Information om | Engelska ordet FORME

Exempel på hur man kan använda FORME i en mening

• Canteloube himself believed that "peasant songs often rise to the level of purest art in terms of feeling and expression, if not in form" (les chants paysans s’élèvent bien souvent au niveau de l'art le plus pur, par le sentiment et l'expression, sinon par la forme).
• This gift is evident in his legendary recordings of Liszt's Sonata in B minor (the first recording ever made of the work) and Saint-Saëns' Etude en forme de valse.
• He had heard Satie's Trois morceaux en forme de poire ("Three Pieces in the Shape of a Pear") in a concert and thought of writing a ballet scenario to such music.
• Bernadette Barrière, mise en forme et annotations, Stéphane Lafaye, Jean-Marie Allard, Jean-François Boyer, Robert Chanaud, Catherine Faure, Luc Ferrand, Évelyne Proust, Christian Rémy et Étienne Rouziès, Paris, éditions de Boccard, 2021 (Société de l’Histoire de France).
• A particularly elaborate and spectacular recipe described in medieval recipe collection The Forme of Cury was a meat pie featuring a crust formed into battlements and filled with sweet custards, the entire pie then being served flambeed: a distant descendant of this dish, with hollow pastry turrets around a central pork pie, was still current in the 18th century under the name "battalia pie".
• In the same period, usage is attested by Hesse ("Normalform"), Hermite ("forme canonique"), Borchardt ("forme canonique"), and Cayley ("canonical form").
• Cattaneo, Angelo; "Scomparsa e ricomparsa di un autore: storiografia religiosa, forme della dimenticanza, percorsi della memoria", in Caby, Cécile; Licciardello, Pierluigi (eds), Camaldoli e l’Ordine camaldolese dalle origini alla fine del XV secolo.
• The physicians reported finding her brain much putrifyed and corrupted: all the cerebellum was rotten, and retained not the forme of the braine but was meere pus and corrupted matter.
• Lord Berners, in the short essay he wrote on Jongen for publishers J & W Chester in 1922, praises the String Quartet No 2 (1916) for its blend of "purity of form, beauty of writing and emotional appeal", and the 1918 Suite en forme de Sonate for piano as "a delightful example of modern music based on old forms".
• 1687: Traité de l'Église, en forme d'entretiens, ce qui sert de réfutation aux derniers livres de Messieurs Claude et Jurieu.
• Secular music in medieval France was dominated by troubadours, jongleurs and trouvères, who were poets and musicians known for creating forms like the ballade (forme fixe) and lai.
• Giovanni Domenico Nardo: Vocaboli e modi di dire greci dai quali sembrano derivare forme proprie del dialetto veneti, che si presentano come materiali di studio.
• In printing, a stereotype, stereoplate or simply a stereo, is a solid plate of type metal, cast from a papier-mâché or plaster mould taken from the surface of a forme of type.
• The basis of the current conceptualisation of manic-depressive illness can be traced back to the 1850s; on January 31, 1854, Jules Baillarger described to the French Imperial Academy of Medicine a biphasic mental illness causing recurrent oscillations between mania and depression, which he termed folie à double forme ('dual-form insanity').
• Opus 16: Symphonies d'un goût nouveau en forme de concerto pour les musettes, vielles, flûtes ou hautbois (1752), lost.
• His catalog – containing over two hundred works – comprises various instrumental or vocal ensembles as: Commedia (1995) for 19 musicians, the Chamber Concerto for 7 musicians (1996), the Violin Concerto (1997- revised 2001), the Livre de Sonates (1997-1999) for organ, the Piano Concerto (1998-1999), Nova (1999) for 12 mixes voices, mixes choir and ensemble, Faërie (2000-2001) for orchestra, Happy Bird (2001) concerto for flute, 2 horns, percussion and string orchestra, Lumen (2001) for orchestra, Pop-art (2002), Symphony no 1 (2002–2003) for orchestra, Ouverture en forme d’étoiles (2004) for orchestra, String Quartet no 1 “Les Heures maléfiques” (2005), Symphony no 2 “Moz’art” (2005) for orchestra, String Quartet no 3 “Ombra felice” (2007), Lumen 2 (2006-2013), Le Bestiaire after Apollinaire for soprano and orchestra (2007-2008), Les Quatre Jumelles, opera buffa for 4 singers and 9 instruments (2008), String Quartet n°5 ” Fata Morgana” (2012), Quai-ouest, opera (2013-2014).

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