Synonymer & Information om | Engelska ordet GRAFFITO

Exempel på hur man kan använda GRAFFITO i en mening

• Graffiti (singular graffiti or graffito, the latter only used in graffiti archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view.
• 6 February 60, identified as a "Sunday" (as viii idus Februarius dies solis "eighth day before the ides of February, day of the Sun") in a Pompeiian graffito.
• It was embellished in the early imperial period and was being renovated in 79 AD probably after the 62 AD earthquake as shown by the piles of lime in some rooms, unfinished precious opus sectile floors made of imported marble and a famous graffito which recorded the cost of the work.
• It is believed that Ramesses ruled into his Year 29 since a graffito records that the general and High Priest of Amun Piankh returned to Thebes from Nubia on III Shemu day 23—or just 3 days into what would have been the start of Ramesses XI's 29th regnal year.
• While Sanakht's existence is attested by seal fragments from mastaba K2 at Beit Khallaf and a graffito, his position as the founder of the Third Dynasty, as recorded by Manetho and the Turin Canon, has been seriously undermined by recent archaeological discoveries at Abydos.
• The earliest evidence for this new system is a Pompeiian graffito referring to 6 February (ante diem viii idus Februarias) of the year 60 CE as dies solis ("Sunday").
• from trash dumps; a large quantity of teak wood, black pepper, coconuts, beads made of precious and semi-precious stones, cameo blanks; “a Tamil Brahmi graffito mentioning Korra, a South Indian chieftain”; evidence that “inhabitants from Tamil South India (which then included most of Kerala) were living in Berenike, at least in the early Roman period”; evidence that the Tamil population implied the probable presence of Buddhist worshippers; evidence of Indians at another Roman port 300 km north of Berenike; Indian-made ceramics on the Nile road; a rock inscription mentioning an Indian passing through en route; “abundant evidence for the use of ships built and rigged in India”; and proof “that teak wood (endemic to South India), found in buildings in Berenike, had clearly been reused” (from dismantled ships).
• The first mentions of the Eternity graffito in culture are in Dorothy Hewett's novel Bobbin Up (1958) and again in her play The Chapel Perilous (1971).
• The few contemporary attestations from his reign include the aforementioned graffito in Seti I's Abydos temple, an ostracon from Umm el-Qa'ab, an affiliation at Karnak and his presumed burial – which consists of a gilded coffin with a royal uraeus and a Mummy, found in an antechamber of Psusennes I's tomb at Tanis.
• In addition, a graffito on a Phoenician shard dated to the early to mid 7th century BC and found at the Phoenician settlement of Doña Blanca near Cadiz has been identified as Tartessian by the shape of the signs.
• A key graffito located at the entrance to the Speos of Horemheb at Gebel el-Silsila depicts Bay standing in a pose of adoration directly behind Siptah, who is making an offering to Amun; a following inscription in the graffito reads:.
• Roy reads aloud a graffito written in red sharpie on the wall above the urinal, "As Wichita falls, so falls Wichita Falls".
• In this same century, the sgraffito technique, also known as graffito or scratchwork was introduced into Germany by Italian artists, combining it with modelled stucco decoration.
• The reliefs, and writings with the reliefs, are often supplemented with a graffito, often in hieratic and discovered in locations not commonly seen, like a door jamb, hallway, entranceway, or the side or reverse of an object.
• Eternity (graffito), a word chalked by Arthur Stace around Sydney, Australia, from the 1940s to the 1960s.
• However, new evidence on the Wadi Gasus graffito published by Claus Jurman in 2006 has now redated the graffito to the 25th dynastic Nubian period entirely (rather than to the Libyan era) and demonstrates that they pertain to Amenirdis I and Shepenupet II based on paleographic and other evidence at Karnak rather than the Libyan Shepenupet I and the Nubian Amenirdis I.
• Fuddling cups were made from the mid-17th century to the late 18th in graffito slipware in two potteries in Somerset and in tin-glazed earthenware before that.
• Since the initial publication of BM 10474, additional fragments of Amenemope have been identified on a scrap of papyrus, four writing tablets, an ostracon, and a graffito, bringing the total number of witnesses to eight.
• What now appears to be the most ancient surviving image of a Roman crucifixion is a graffito found in a taberna (an inn for wayfarers) in Puteoli, dating from the time of Trajan (98–117) or Hadrian (117–138).
• The pieces include repoussé work, chiseling, graffito and filigree, along with pieces set with precious and semi-precious stones and those containing enamels and others with gold.

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