Anagram & Information om | Engelska ordet LAPINE

Exempel på hur man kan använda LAPINE i en mening

• With his frequent collaborators Harold Prince and James Lapine, Sondheim's Broadway musicals tackled unexpected themes that ranged beyond the genre's traditional subjects, while addressing darker elements of the human experience.
• The words of the Lapine language were developed by Adams piecemeal and organically as required by the circumstances of the plot.
• Cordelia, character in James Lapine and William Finn's 1990 off-Broadway musical Falsettoland and later its two Broadway revivals, renamed Falsettos.
• Conceived by Claudia Shear and Lapine and written by Shear with direction by Lapine, Ben Brantley called Lapine's direction "stylish and compassionate".
• Like its predecessor, Tales from Watership Down features epigraphs at the beginning of each chapter and a Lapine glossary.
• The ConFed is challenged by a rival and ruthless enemy called the Independent Lapine Republic (ILR) which is populated by a species of supremacist rabbits who favor taking colonies and settled areas by force.
• In August 2014, Warren Lapine, former editor of Absolute Magnitude, Realms of Fantasy, and Weird Tales, revived the Fantastic logotype of Fantastic Stories of the Imagination as a free webzine.
• Directed by James Lapine, the German translation was by Michael Kunze, choreography by Lar Lubovitch, set design by Heidi Ettinger, costume design by Sue Blane, lighting by Rick Fisher, sound by Tony Meola and projections by Jerome Sirlin.
• Rannells played the role of Whizzer Brown in the Broadway revival of Falsettos directed by James Lapine.
• Directed by James Lapine, the cast included Michael Rupert as Marvin, Stephen Bogardus as Whizzer, Barbara Walsh as Trina, Chip Zien as Mendel (he played Marvin in In Trousers), Jonathan Kaplan as Jason, Heather MacRae as Charlotte, and Carolee Carmello as Cordelia.
• Finn eventually collaborated with James Lapine on two additional one-acters, March of the Falsettos and Falsettoland, which further explored the lives of Marvin and his family and friends.
• Directed by Lapine, the German translation was by Michael Kunze, choreography by Lar Lubovitch, set design by Heidi Ettinger, costume design by Sue Blane, lighting by Rick Fisher, sound by Tony Meola and projections by Jerome Sirlin.
• The production, which took place from June 24 to 27, 2015, was presented as part of the New York City Center's Encores! Off-Center staged concert series and was directed by James Lapine, with Groff performing alongside Aaron Lazar, Dan Fogler, and Ana Gasteyer.
• Her many collaborations include productions with such well-known directors as Joe Mantello, James Lapine, Michael Mayer, Walter Bobbie, Robert Falls, Tony Kushner, Robert Woodruff, JoAnne Akalaitis, the late Garland Wright, James MacDonald, Bartlett Sher, Mark Lamos, Frank Galati, Des McAnuff, Christopher Ashley, Emily Mann, David Jones, Marion McClinton, Neil Pepe, Rebecca Taichman, Gregory Boyd, Laurie Anderson, Doug Wright, Carole Rothman, Oskar Eustis, Garry Hynes, Richard Nelson, Yaël Farber and Athol Fugard (the South African writer with whom she works as set and costume designer and often as co-director since 1980).
• This is a four CD set containing over 150 fiddle tunes performed by 12 master Metis fiddlers including Gilbert Anderson, Trent Bruner (pianist), Richard Callihoo, Henry Gardipy, Emile Lavallee, Albert 'Hap' Boyer, Garry Lapine, John Arcand, Mel Bedard, Richard Lafferty, Homer Poitras and Ed Lafferty.
• In 2009 Lapine founded Tir Na Nog Press along with a science fiction / fantasy imprint, Fantastic Books, with freelance editing by Douglas Cohen, Marty Halpern, Ian Randal Strock, Darrell Schweitzer and David Truesdale.
• He is currently in the process of co-editing Shadows and Reflections: A tribute to Roger Zelazny with long-time friend Warren Lapine.
• This was co-edited by Zelazny's son Trent Zelazny, included an afterword by his daughter Shannon Zelazny and a story by his partner and sometime coauthor Jane Lindskold, and featured a rarely seen story by Zelazny himself, as well as short stories by Steven Brust, Warren Lapine, Kelly McCullough, Mark Rich, Gio Clairval, Edward J.
• Accompanying Lapine in moving from Opel to Porsche were Wolfgang Möbius, Dick Soderberg, and chief modeler Peter Reisinger.
• The first act, "March of the Falsettos", was originally intended to be titled Four Jews in a Room Bitching until Lapine insisted that Finn change the title.

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