Information om | Engelska ordet METRICALLY

Exempel på hur man kan använda METRICALLY i en mening

• Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord.
• He also states that his Little Cats will accompany him and the book ends with him listing all of the Little Cats in alphabetical order in the form of a metrically perfect rhymed quatrain.
• They defined a "Lévy family" as a sequence of normalized metric measure spaces in which any asymptotically nonvanishing sequence of sets can be metrically thickened to include almost every point.
• Return on Influence is not metrically trackable like Return on Investment is, but mechanisms such as links with UTM parameters can be created to track conversion behavior of influence.
• Cheironomy, though not a commonly used term in today's reference to conducting, serves, as it did in early music, as the model for the motions necessary to direct some modern music which requires individualized direction to specific players, within less metrically structured musical compositions.
• The technique used by Optatianus reveals his predilection for difficulties and technical virtuosity, as the compositions of the Panegyrics become even more complicated, for example, with the construction of verses in the form of palindromes (as in the poem XXVIII) or verses metrically identical when read from right to left.
• This implies that the "standard plenoptic camera" may be intended for close-range applications as it exhibits increased depth resolution at distances that can be metrically predicted based on the camera's parameters.
• His "A Summer Evening Churchyard, Lechlade, Gloucestershire" is metrically more inventive and written in a six-line stanza that terminates Gray's cross-rhymed quatrain with a couplet.
• It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
• However this sonnet is unique in the collection because, instead of iambic pentameter, it is written in iambic tetrameter, a poetic metre based on four (rather than five) pairs of metrically weak/strong syllabic positions.
• It follows the form's typical rhyme scheme, ABAB CDCD EFEF GG, and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
• It follows the form's rhyme scheme: ABAB CDCD EFEF GG, and is written in a type of metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
• Its first line begins Un dolz dezirs amorous and it is metrically, but not rhymewise, identical to A vos, bona don'e pros which is attributed by some manuscripts to Raimbaut de Vaqueiras and by others left unattributed, leading subsequent scholars to suggest that it was the work of either Aimeric de Pegulhan or Formit.
• The Old French song "L'autrier avint en chel autre païs", by the trouvère Conon de Béthune, whom Elias knew, has many thematic similarities with the tenso of Ysabella, though they are metrically dissimilar.
• While the design of the characters is based on Neue Helvetica, the two typefaces differ metrically: Nimbus Sans Novus has smaller x-height and is narrower at the same font size (but not at the same x-height).
• The poem is, however, metrically regular; like other Old English verse, the nine lines of the Hymn are divided into half-lines by a caesura, with the first most heavily stressed syllable in the first half alliterating with the first most heavily stressed syllable in the second.
• Three-over-eight (3:8) is one of the most metrically contradictive, and extraordinarily dynamic cross-rhythms found in African music.
• Information about the contents of the later books is less certain: the fourth book appears to have contained many poems in acephalous hipponacteans with double choriambic expansion, and possibly in other metres; the fifth book was metrically heterogeneous, with ancient sources mentioning the use of Phaelecian hendecasyllables and lesser asclepiads; of the sixth, nothing is known; a single couplet from the seventh book is preserved in Hephaestion but it is unclear whether this was an entire stanza or part of a three- or four-line stanza.
• Dectuplets, syncopations between septuplets and quintuplets and grace notes are used in the metrically active sections.

Förberedelsen av sidan tog: 314,52 ms.