Anagram & Information om | Engelska ordet REGER

Exempel på hur man kan använda REGER i en mening

• He then returned to Berlin to study piano under Ernst Rudorff and composition with Engelbert Humperdinck, later working under Max Reger in Leipzig, publishing chamber pieces, sonatas and lieder.
• The firm's creation was announced next month in the Neues Wiener Tagblatt:In 1904, UE acquired Aibl publishers, and so acquired the rights to works by Richard Strauss, Max Reger, and other composers.
• In 1888, Reger was invited by his uncle Johann Baptist Ulrich to visit the Bayreuth Festival, where he heard Richard Wagner's operas Die Meistersinger von Nürnberg and Parsifal.
• Richter played and conducted a wide range of music (sacred works from Heinrich Schütz to Max Reger, as well as the symphonic and concerto repertoire of the Classical and Romantic periods – even including Bruckner symphonies), but is best remembered for his interpretations of Johann Sebastian Bach and George Frideric Handel.
• Dark Horse Comics announced the publication of The Art of Emily Volume One, the first collection of images showing the wide and inspired range of artistic styles and mediums that have been used to create the world of Emily the Strange: silk-screened vinyl skateboard stickers to custom rock-and-roll album art, large-scale psychedelic paintings, and intricate Mongolian paper cutting, the fantastic and artful imaginings of Rob Reger, Buzz Parker, and a large number of collaborators.
• They include Willhelm II, Emperor Franz Joseph I, Johannes Brahms, Gustav Mahler, Liberace, Béla Bartók, Claude Debussy, George Formby, Dodie Smith, Max Reger, Richard Wagner, Johann Strauss, Pyotr Ilyich Tchaikovsky, Dmitri Shostakovich, Petronel Malan.
• In 1913 Max Reger composed a set of Four Tone Poems after Böcklin with the movements "Der geigende Eremit", "Im Spiel der Wellen", "Die Toteninsel", and "Bacchanal".
• Huff, Anne Sigismund, and Reger, Rhonda Kay, 1987, A review of strategic process research, Journal of Management, vol.
• Other notable conductors included Richard Strauss from 1885 to 1886, Max Reger from 1911 to 1914, and Kirill Petrenko from 1999 to 2002.
• Recital 1970, Lieder by Beethoven, Brahms, Mozart, Reger, Schubert, Schumann, Strauss, Wolf, Dirigent Richard Kraus, GALA B000028CLY 2CD-Album (2001).
• During its early period the Hall attracted great musicians like Artur Schnabel, Peter Arnold, Pablo Sarasate, Percy Grainger, Myra Hess, Arthur Rubinstein, Vladimir Rosing, Alexander Siloti, Camille Saint-Saëns, Jascha Spivakovsky, Max Reger and Marian Anderson (who performed there in 1933).
• Death masks were taken not only of deceased royalty and nobility (Henry VIII, Sforza), but also of eminent people: composers, dramaturges, military and political leaders, philosophers, poets, and scientists, such as Dante Alighieri, Ludwig van Beethoven, Max Reger, Napoleon Bonaparte (whose death mask was taken on the island of Saint Helena), Filippo Brunelleschi, Frédéric Chopin, Oliver Cromwell (whose death mask is preserved at Warwick Castle), Joseph Haydn, John Keats, Franz Liszt, Blaise Pascal, Nikola Tesla (commissioned by his friend Hugo Gernsback and now displayed in the Nikola Tesla Museum), Torquato Tasso, Richard Wagner and Voltaire.
• The passacaglia has been transcribed for orchestra by Leopold Stokowski, Ottorino Respighi, René Leibowitz, Eugene Ormandy, Sir Andrew Davis and Tomasz Golka and for piano by numerous composer/pianists including Eugen d'Albert, Georgy Catoire, Max Reger (in a version for 2 pianos), Fazıl Say, Krystian Zimerman, Émile Naoumoff and Awadagin Pratt.
• His advocacy of Granville Bantock, Havergal Brian, Dussek, Medtner, Hans Pfitzner, Max Reger, Franz Schmidt, Robert Volkmann and others was as sincere, and informed by an acquaintance with the music as close, as his discussions of Schubert's piano sonatas or Haydn's string quartets.
• In addition to his Liszt project, Leslie Howard's recordings include works by Balakirev, Bax, Beethoven, Borodin, Bridge, Rosemary Brown, Bruckner, Busoni, Chopin, Rebecca Helferich Clarke, Diabelli, Franck, Ignaz Friedman, Gade, Gershwin, Glazunov, Grainger, Granados, Grieg, Mendelssohn, Moszkowski, Mozart, Franz Xaver Mozart, Palmgren, Poulenc, Rachmaninoff, Raff, Reger, Rimsky-Korsakov, Rossini, Anton Rubinstein, Schumann, Sibelius, Smetana, Stravinsky, Tausig, Tchaikovsky, Vaughan Williams and Wagner.
• With a lot of scepticism that she received for her bold designs for undergarments, in the 1970s Reger took part in the revolution for lingerie becoming a fashion statement rather than just an undergarment.
• Hummel, Schubert, Rolla, Mendelssohn, Schumann, Spohr, Viotti, Brahms, Reger, Béla Bartók, Kurt Weill, Karl Amadeus Hartmann, Hans Pfitzner, Hans Werner Henze, Hans Schaeuble, Giorgio Federico Ghedini (Concerto dell'albatro) and Bernd Alois Zimmermann.
• In a 1996 lecture, extracted and translated in the programme to the ENO 1996 production, Henze mentions the Leipzig tradition from Bach to Max Reger, Hermann Grabner and Wolfgang Fortner, the Viennese classical tradition and the Second Viennese School, in particular Beethoven and Arnold Schoenberg, Gustav Mahler and Stravinsky as influences.
• Max Reger, Johanna Senfter: Clarinet Quintets, by Kilian Herold, Armida Quartett: Clarinet Quintet in B major, Op.
• Having received the older tradition of organ playing from Reimann in Berlin, Straube revolutionized his technique in collaboration with the orchestral-style instruments of Sauer (and the encouragement from this mentor who spoke of the "unplayable" organ works of Reger).

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