Anagram & Information om | Engelska ordet SECCO

Exempel på hur man kan använda SECCO i en mening

• In addition, a fortepiano usually plays in secco recitatives, with or without other instruments from the orchestra.
• Albano, Albana secco, Biancone, Blanc Auba, Blanc De Cadillac, Blancoun, Bobiano, Bonebeou, Branquinha, Brocanico, Bubbiano, Buriano, Buzzetto, Cadillac, Cadillate, Castelli, Castelli Romani, Castillone, Chator, Clairette D'Afrique, Clairette De Vence, Clairette Ronde, Engana Rapazes, Espadeiro branco, Falanchina, Greco, Gredelin, Hermitage White, Juni Blan, Lugana, Malvasia Fina, Muscadet Aigre, Padeiro branco, Perugino, Procanico, Procanico Dell Isola D Elba, Procanico Portoferraio, Queue De Renard, Romani, Rossan De Nice, Rossetto, Rossola, Rossula, Roussan, Roussea, Rusciola, Saint Emilion, Saint Emilion Des Charentes, Santoro, Shiraz White, Spoletino, Talia, Trebbianello, Trebbiano, Trebbiano Della Fiamma, Trebbiano Di Cesena, Trebbiano Di Empoli, Trebbiano Di Lucca, Trebbiano Di Tortona, Trebbiano Fiorentino, Trebbiano Toscano, Trebbianone, Tribbiano, Tribbiano Forte, Turbiano, Ugni blanc, Bouan, Beau, Thalia, Trebbiano Romagnolo, Trebbiano Gallo and Trebbiano d'Abruzzo.
• Today, there are various levels of dryness / sweetness, including secco (bone dry / dry), amabile (off-dry / sweet) and dolce (very sweet).
• He applied himself to the composition of cantatas and oratorios; at that time there was little difference (apart from increasing length) between cantata, oratorio and opera, all based on the alternation of secco recitative and aria da capo.
• With regard to the recitatives, Gossett notes that "only his youthful comic opera, Un giorno di regno (1840), uses secco recitative".
• The second movement is a secco recitative, "" (They teach vain, false deceit, which is opposed to God and His truth), which changes to arioso for two lines that resemble the words of the chorale.
• Movement 2 is a secco recitative for tenor, concluding in an arioso section with a "deeply moving" melisma on the word "" (sorrows).
• The three new recitatives are scored differently, the first as an accompagnato with chords of the strings, the second secco accompanied only by the continuo, the third as another accompagnato, with oboes.
• Hofmann notes the work's "Lutheran character", quoting Luther's litany inserted in the third movement, and sees it as a "recitative study", exploring the secco recitative of the Italian opera, introduced by Erdmann Neumeister, and also the accompagnato with rich instrumental accompaniment.
• While the still Gravina wine is almost always dry, the sparkling Gravina wine can be made in both a dry secco and slightly sweet amabile style.
• The four solo movements are scored differently: all instruments accompany the opening aria; only the continuo is scored for the secco recitative, an obbligato oboe adds colour to the central aria, and strings intensify for the accompagnato recitative.
• A second secco recitative leads to a tender aria which was accompanied by an obbligato oboe da caccia in 1726.
• Albana di Romagna (Bianco as secco or asciutto, amabile, dolce, passito and passito riserva), produced in the provinces of Bologna, Forlì-Cesena and Ravenna.
• The bass next sings "" (Only consider, child of God) as a secco recitative ending in an arioso, the typical style of recitatives during the Weimar period.
• The aging requirement is increased to 29 months for secco (dry and unfortified) styles and 53 months for Superiore Riserva (also dry and unfortified) wines.
• In the Gravina DOC, up to 10% of Bombino bianco is permitted in the dry secco and slightly sweet amabile white wines of the DOC that can be produced in both a still and sparkling spumante style.
• The recitatives are mostly secco, with an arioso only in movement 9 on the words "" (splendor, pride, riches, honor, and wealth) from the chorale.

Förberedelsen av sidan tog: 389,40 ms.