Anagram & Information om | Engelska ordet TANGOS

Exempel på hur man kan använda TANGOS i en mening

• In addition to recordings of the standard classical repertoire, Ma has recorded a wide variety of folk music, such as American bluegrass music, traditional Chinese melodies, the tangos of Argentine composer Astor Piazzolla, and Brazilian music.
• Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos.
• She was devoted entirely to her music, which was very successful, as her career grew and she became very famous as a composer of polkas, waltzes, tangos and ditties.
• He recorded more than 1000 tangos, milongas and fast valses, wrote lyrics for 3 tangos, composed 46 tangos.
• Le Pera wrote the scripts for a series of films, including Melodía de Arrabal (1933), Cuesta abajo (1934), El Tango en Broadway (1934), El día que me quieras (1935) and Tango Bar (1935), and also wrote the lyrics for tangos composed and performed by Gardel in these films.
• Their repertoire was diverse, encompassing folk music from northeast Brazil, sambas, maxixes, waltzes, polkas, and "Brazilian tangos" (the term choro was not yet established as a genre).
• Ástor Piazzolla composed the music for these tangos and milongas, the result of which was a record praised by Borges.
• Writing for AllMusic, Steve Leggett stated that it was "a further step away from anything resembling a mainstream country release, incorporating not only the Tex-Mex and Cuban influences the band was known for, but also the rhythms of polkas, tangos, and all manner of approaches".
• The band also backed many singers recording at the time and performed in various styles including foxtrots, waltzes, tangos, polkas.
• A typical order of tandas is: T-T-V-T-T-M (T for a tanda of tangos, V for a tanda of vals cruzado, M for a tanda of milongas).
• following this tour she entered a competition held at the Teatro Colón in Buenos Aires, won first prize for her performances of the tangos "La cumparsita" and "Tocaneando", She capped this cycle by performing Oscar Straus's Tres valses (Three Waltzes), an adaptation of the operetta, with Chilean singer Choly Mur.
• Enrique Santos Discépolo (Discepolín) (27 March 1901 – 23 December 1951) was an Argentine tango and milonga musician and composer, author of famous tangos like Cambalache and many others performed by several of the most important singers of his time, amongst them notably Carlos Gardel.
• Other tangos composed by him include: “Che papusa, oí”, “Son grupos”, “Yo tuve una novia”, “Cuando bronca el temporal”, “Hablame”, “Pobre corazón”, “Haceme caso a mí”, “Canto por no llorar”, “Rosa reseca”, “Botija linda”, “El pescador”, “Te fuiste, ¡ja, ja!”, “Adiós Argentina”, “Mi provinciana”, “La milonga azul”, “Dale celos”, “Raspail”, “Mocosita”, “La muchacha del circo”, and “San Telmo”.
• Brass bandas play a wide variety of song styles including rancheras, corridos, cumbias, charangas, ballads, boleros, salsas, bachatas, sones, chilenas, jarabes, mambos, danzones, tangos, sambas, bossa novas, pasodobles, marches, polkas, waltzes, mazurkas, chotís, and swing.
• Since then, his repertoire has included "boleros" (romantic Spanish music), "tangos" (Argentinian music) and "rancheras" (Mexican music), remakes of songs from the 60's, dozens of his own songs, even lyrical pieces.
• Of his most acclaimed tangos are Punatukkaiselle tytölleni ("For My Red Haired Girl"), Ennen kuolemaa ("Before Death"; French: Avant de Mourir) and Täysikuu ("Full Moon"), while standouts from his other popular songs are Poika varjoisalta kujalta ("Boy From a Shady Alley"; Italian: Guaglione), Hopeinen kuu ("Silver Moon"; Italian: Guarda Che Luna), Eva and Kultainen nuoruus ("The Golden Youth").
• Gabino Coria Peñaloza: he was an Argentine poet and writer, famous for having composed the lyrics of famous tangos such as "Caminito" and "El Pañuelito".
• After the split with Piazzolla in 1975 she started singing traditional tangos such as “El día que me quieras”, “Volver” and “Soledad” by Carlos Gardel, “Uno”and “Grisel” by Mariano Mores, “Cambalache” and “Yira yira” by Enrique Santos Discépolo or “La última copa” by Francisco Canaro.
• The album included rumbas, tangos, bulerías, boleros, rancheras and ballads by Silvio Rodríguez, Lolita de la Colina or Amancio Prada.
• His subject matter is frequently the detritus of Western culture — translations of tenth-rate historical novels, Hollywood fantasy films, trivialities of encyclopaedias, Turkish tangos.

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