Definition & Betydelse | Engelska ordet TEMPI

Definition av TEMPI

1. böjningsform av tempo

Exempel på hur man kan använda TEMPI i en mening

• Nancarrow undertook to create music which would superimpose tempi in cogent pieces and, by his twenty-first composition for player piano, he had begun "sliding" (increasing and decreasing) tempi within strata.
• On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work.
• He published the fruits of his research in the Archivio Storico Italiano in 1856, and in 1859 he published the first volume of his Storia di Girolamo Savonarola e de' suoi tempi, in consequence of which he was appointed professor of history at Pisa.
• The trumpeter was in superb form, able to execute quickstep swing at fleet tempi with volatile penetration, to put the weight of his sound on mood pieces, to rear his way up through the blues with a fusion of bittersweet joy and what Martin Williams termed 'communal anguish.
• The piece, almost entirely based on transpositions, appears difficult at first due to its speed (some musicologists have remarked that Schumann's metronome was calibrated such that it went faster than it should have, due to extreme tempi such as this one).
• Nóta includes a variety of tempi, from uptempo friss csárdás via a medium time "Palotas" to slow dramatic tempo rubato ballads.
• Like his symphonic poems Tasso and Les préludes, the Dante Symphony is an innovatory work, featuring numerous orchestral and harmonic advances: wind effects, progressive harmonies that generally avoid the tonic-dominant bias of contemporary music, experiments in atonality, unusual key signatures and time signatures, fluctuating tempi, chamber-music interludes, and the use of unusual musical forms.
• That same year Alessandrini started working for Catholic weekly Il Giornalino, where he drew some episodes of the series Ai confini dell'avventura and Storie di tutti i tempi.
• Venhoda's approach indicated his German artistic influences: choral singing which emphasized rich chest-voice production; invariably Teutonic renderings of Latin (quoniam would become kvoniam, and Agnus would become Agg-nus, for example); tempi which inclined to the leisured and majestic; above all, profuse doubling of the vocal parts by instruments, such as became unfashionable with the advent of a cleaner, "whiter" sound from later, English or English-influenced, early-music groups like the Tallis Scholars.
• Scarfoglio's tale is well known even to Italians who have not actually read the novella, since it was the basis for an episode in Alessandro Blasetti's popular 1952 film Altri tempi (In Olden Days), starring Gina Lollobrigida as Phryne/Mariantonia in the eighth, and last, episode bearing the title Il processo di Frine (Phryne’s Trial).
• In the same year, he wrote Sinfonia in quattro tempi, conducted by Giuseppe Sinopoli for the Venice Biennale Festival, which thereafter dedicated to him two monographic concerts in 1979 and 1981.
• Another source that was used extensively by Barret were engravings by Piranesi which were published in 1748 in Antichita romane de' tempi della Repubblica, e de' primi imperatori.
• Intolleranza 1960 (Intolerance 1960) is a one-act opera in two parts (azione scenica in due tempi) by Luigi Nono, and is dedicated to his father-in-law, Arnold Schoenberg.
• The colotomic structure of a piece is the length of the cycle and how the interpunctuating instruments play during that cycle, but they are also musical forms which are associated with specific structural patterns on a larger scale than the colotomic cycle, and guidelines for what tempi and irama may be used.
• Detta dagli antichi Prætutium, ne' bassi tempi Aprutium oggi città di Teramo e Diocesi Aprutina, 5 voll.
• This second category can be defined as a dynamic glissando, comparable to glissandi of pitch and of tempi (accelerando, ritardando).
• This is especially true for those requiring collection, such as passage, piaffe, pirouette, tempi changes.
• The dance was accompanied frequently by the basse danse, due to their contrasting tempi, and were danced alongside the pavane and galliard, and the allemande and courante, also in pairs.
• "Il cardinal Odo da Chateauroux e Carlo d' Angio," Celestino V e i suoi tempi: realta spirituale e realta politica.
• He is discussed prominently in several contemporary histories: Niccolò Machiavelli's History of Florence, the Nuova Cronica of Giovanni Villani, and the Cronica delle cose occorrenti ne' tempi suoi of Dino Compagni.

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