Definition, Betydelse & Anagram | Engelska ordet VIRTUOSI

Definition av VIRTUOSI

1. böjningsform av virtuoso

Exempel på hur man kan använda VIRTUOSI i en mening

• Not himself a scientist, he has been called "the most skillful apologist of the virtuosi", or in other words the leading propagandist for the approach of the English natural philosophers of the later 17th century.
• The plural forms of virtuoso is either virtuosi or the Anglicisation virtuosos, and the feminine forms are virtuosa and virtuose.
• Vai has been described as a "highly individualistic player" and part of a generation of "heavy rock and metal virtuosi who came to the fore in the 1980s".
• Sachs has also written books on musical virtuosi, a history of music in Italy during the fascist period, a biography of Arthur Rubinstein, and a book on Beethoven's Ninth Symphony that is part cultural history, part musical description, and part personal memoir:.
• Among the virtuosi of the 1820s, Hummel, Kalkbrenner, Cramer, Herz and Weber were his most famous rivals.
• Sung in the Malian language Wassoulou and backing herself on guitar, Diawara explores themes of war, abandonment of children and female circumcision (Boloko) supported by contributions from West African virtuosi Tony Allen (drums) and Toumani Diabaté (kora) as well as Led Zeppelin bassist John Paul Jones.
• It was also in Paris that Reicha started composing the 25 wind quintets which proved to be his most enduring works: far more conservative musically than the experimental fugues he had written in Vienna, but exploiting the skill of his virtuosi from the Opéra Comique to extend significantly the technique and musical ambitions of future players of the still evolving wind instruments.
• Among prominent virtuosi, Peter Serkin was one of the first to experiment with period fortepianos, and the first to record late Beethoven sonatas on pianos of both the modern as well as Beethoven's era.
• Both Sergei Rachmaninoff and Josef Lhévinne claimed Hanon to be the secret of why the Russian piano school delivered an explosion of virtuosi in their time, for the Hanon exercises have been obligatory for a long time throughout Russian conservatories; there were special examinations at which one had to know all exercises by heart, to be played in all keys at high speed.
• Apart from overseeing the training of the European-style military bands of Mahmud's modern army, he taught music at the palace to the members of the Ottoman royal family, the princes and the ladies of the harem, is believed to have composed the first national anthem of the Ottoman Empire, supported the annual Italian opera season in Pera, organised concerts and operatic performances at court, and played host to a number of eminent virtuosi who visited Istanbul at the time, such as Franz Liszt, Parish Alvars and Leopold de Meyer.
• Like many other Brescian virtuosi multi-instrumentalists (who typically played multiple aerophones, various string instruments, and beginning from the middle of the century the new viola da braccio or violin), Mascara was an excellent viola da gamba player.
• In praise of his playing, BBC Music Magazine wrote, “Taiwanese violinist Nai-Yuan Hu is an awesomely capable performer whose technical facility, musical intelligence and unfaltering verve place him among the higher echelons of today’s string virtuosi.
• Legouvé thought there were several greater violin virtuosi in Paris than Urhan, but that he outshone them through his profound knowledge of the masters and respect for their music, and through the indefinable quality of style which he brought to them.
• At the height of this Guatemalan artistic renaissance was the birth of a new generation of virtuosi, such as pianist Manuel Herrarte, bassoonist Nacho Vidal, timpanist and composer Jorge Sarmientos, to name a few.
• They were Kedleston (demolished and replaced by the celebrated Robert Adam house); Chicheley Hall with William Kent, doubtless in part the design of its owner Sir John Chester, and his virtuosi friends; Stoneleigh Abbey, "a somewhat inept attempt to use a giant order in the grand baroque manner" (Colvin) and Sutton Scarsdale (stripped of its interiors in the 1920s), where Colvin, comparing its assurance with Stoneleigh's "gauche" crowded windows and "leggy pilasters", suspected some intervention by James Gibbs.
• In Empire of Tea: The Asian Leaf that Conquered the World, authors Ellis, Coulton and Mauger trace tea's popularity back to three distinct groups: virtuosi, merchants, and elite female aristocrats.

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