Definition, Betydelse & Anagram | Engelska ordet VOICES

Definition av VOICES

1. böjningsform av voice

Exempel på hur man kan använda VOICES i en mening

• In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour.
• In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts".
• Dylan Marlais Thomas (27 October 1914 – 9 November 1953) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood.
• The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film.
• Fugues can also have episodes, which are parts of the fugue where new material often based on the subject is heard; a stretto (plural stretti), when the fugue's subject overlaps itself in different voices, or a recapitulation.
• His compositions include four symphonies, four concertos, a Requiem, and many songs, amongst other music for symphony orchestra, piano, organ, voices, and chamber ensembles.
• It stars the voices of Noriko Hidaka, Chika Sakamoto and Hitoshi Takagi, and focuses on two young sisters and their interactions with friendly wood spirits in postwar rural Japan.
• The film stars the voices of Yōji Matsuda, Yuriko Ishida, Yūko Tanaka, Kaoru Kobayashi, Masahiko Nishimura, Tsunehiko Kamijo, Akihiro Miwa, Mitsuko Mori, and Hisaya Morishige.
• Limbaugh became one of the most prominent conservative voices in the United States during the 1990s and hosted a national television show from 1992 to 1996.
• Instead, it celebrates sexual love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy".
• Octet (music), ensemble consisting of eight instruments or voices, or composition written for such an ensemble.
• During the Golden Age of Radio, he provided character voices and vocal sound effects for comedy radio programs, including those of Jack Benny, Abbott and Costello, Burns and Allen, The Great Gildersleeve, Judy Canova and his own short-lived sitcom.
• The film was directed by John Lasseter (in his feature directorial debut), written by Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow based on a story by Lasseter, Stanton, Pete Docter, and Joe Ranft, produced by Bonnie Arnold and Ralph Guggenheim, and features the voices of Tom Hanks, Tim Allen, Annie Potts, John Ratzenberger, Don Rickles, Wallace Shawn, and Jim Varney.
• Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work.
• It is based on the Uncle Remus stories as adapted by Joel Chandler Harris, stars James Baskett in his final film role, and features the voices of Johnny Lee, Baskett, and Nick Stewart.
• The story is about a woman whose husband dies of a heart attack while she is handcuffed to a bed, and, following the subsequent realization that she is trapped with little hope of rescue, begins to let the voices inside her head take over.
• Dan Castellaneta voices Quimby with mid-Atlantic and Boston accents, resulting in a voice reminiscent of that of President John F.
• In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices.
• At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the average male choral voice.
• His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals.

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